Category Archives: DONT SWEAT THE TECHNIQUE
Once a month we take one full sample from the hosts choice, some regular and guest producers, send them off with the sample for the month to do their thing with it. At the end of the month we’ll showcase all beats produced blindly and then reveal who the producers were
“Interference” is a limited run of 20 homemade CASSETTES mixed live by DJ Heata. But it’s not what you think. During the course of working on my forthcoming official album “Executions” (due for release in the summer of 2017 through the mighty Unkut Recordings), I got distracted one night by crazy synthesizer records and decided to make a DJ mix unlike anything I had done before.
This is NOT a Hip Hop mixtape, but a collection of weird & wonderful synth music from wax LP’s spanning from the 60’s to the 80’s. There are no beats or singing on here, but a stack of bizarre, evil & at times beautiful synthesizer arrangements. The mix is 90min long spread over two sides and is mixed live in one take each straight to tape with a few live synths and samples played over the top. The tapes used are brand new TDK’s from my personal stash.
If you’re up for something a bit different , and perfect for that late night steez, check this out. A massive thank-you to the visual master Joshua Davis for the photography & artwork.
Limited to 20 Cassettes only.
10 x Black Cover – Recorded to TDK D90
10 x White Cover – Recorded to TDK B90
$16 inc. postage to anywhere in Australia. Please email for postage if you wish to purchase from overseas.
Available for purchase here on Runroyal.com Thursday June 8th 2017 at 8pm AEST.
THANK-YOU EVERYONE *****SOLD OUT*****
2017 is shaping up to be a cracker year for Hip Hop me reckons. This is just too fuckin’ good not to post up. Run Royal….where you at?
Merry Christmas everyone.
It’s been a big year and what better way to sign off than with a Chrimbus Funk & Soul Mix. Best thing is…it’s a free download. Hope y’all enjoy it and have a safe and happy Christmas & New Year.
Quick post to let y’all know that we are have a Soundcloud page that includes free downloads and whatever. Jeah!
For this round of DSTT I put forward a track from a German record I picked up for $2 at a fair earlier in the year. It’s a strange record, a real mash Jazz, funk and some really open sounds of keys etc with varying tempos. Everything I want in a record to sample really. Some tracks have some German spoken word laid over the instrumentation . I’d love to get a translation of what he’s saying, that shit sounds serious.
Great use of the track from all producers. This segment was never intended to be a competition of who can make the best beat from the sample, that’s is a very subjective question in itself and we don’t want that shit here. It’s intention is about listening to where the sample takes the producer and how their creativity gets them to the end result, if they use a whole loop or just a few notes of the melody. Thinking outside the box and putting forward a sample or a style of music to sample that’s out of someone’s comfort zone brings forward creativity in my opinion. Utilizing the skills and techniques to bring out your sound and letting the public see if they can pick it. This gives the public the opportunity to seek out some of the producers previous works also if they haven’t heard of them.
The sample probably wasn’t out of everyone’s comfort zone this round but it’s been fucking awesome to see what parts people chopped and looped and how creative everyone was. Thanks to all involved in the round.
Have a crack at guessing who made which beat during the week and I’ll reveal them Friday.
The poll tool on this host is fucking waksauce. If anyone has any better 3rd party suggestion that will work better please let me know in the comments!
I though you dudes would have used the intro!?! All the same, great use of the break and similar parts in the sample. I’ll have see if I can dig through the archives and see what I did with sample a few years back. Always good to see another producers approach.
Thanks again to Servo, Realizm and everyone who polled this round. Appreciate it
Round 9 samples will be going out in the next week.
This month I though id switch it up a little and give the producers a drum break to level things out and see if you can still pick the programming over the sound. I might continue this for future rounds.
Only rules were that both producers had to use the drum break and of course the sample. I’ve picked up a couple of Al Di Meola’s albums over this years, a real mash of Jazz and latin flamenco type shit. Plenty of tempo and signature changes and some experimental stuff throughout, no real reason behind the dig this month other than it being in close reach. I hit up Realizm from Adelaide and local legend, Servo to do their thing. Thanks fellas, you both kilt that shit!
Have a guess below who mad which beat..I’ll reveal the producers at the end of next week.
Looks like everyone was bang on in picking this round. Great mix of styles and chops, I could barely pic Rob’s flip! sheesh!
Thanks again for everyone involved..Most likely we’ll be skipping a round this month but we’ll be back in June for the round 8.
Should give us a little more time to come up with something to test the producers a little more and work outside their comfort zones.
This month we tried to get a bit of a Christ theme happening over April with Easter and all. AkidcalledChubz didn’t hit us with the obscure uptown gospel joints but he did come through with a deadly OST. The soundtrack to the film, The Cross and the Switchblade which was based off a book from the 60’s about a minister who turns around the lives of NY gang members life through Christ…That was the Easter link and we ran with it. Decent soundtrack, Chubz had a couple of tracks to choose from but I though this one would be the most interesting to flip.
Was great to see how these three utilized and approached the sample differently, giving some pretty varying results. All heaters in their own right. Shouldn’t be too tough to pick this round. Cheers to all involved. I’ll reveal next week sometime. Enjoy.
Strange results on this. The votes were all over the shop. We had some thinking Tornts made Beat 2 and some thinking he made beat 4 which was by Dontez. Myself and Kharnivor were on even votes for beat 1. Great sample and great round. Cheers again to all that were involved and all that had a guess on this. Only planning on making this shit bigger with the more people that jump on board. Next round. We’re preparing an Easter special for round 7. Producers will have to think outside the box for this one I’m guessing. Maybe we’ll level the playing field some more to disguise some of the producers by dishing out the same drum break??
Reached out to Dontez for our sample this month for DSTT. Here’s a few words about what he come up with. Peace Donny!
Estonian instrumental jazz fusion and progressive rock band, active 1980-1984.
I picked this beauty up from an overseas seller who was getting rid of several Euro rock records. I offered him a deal for 10 or so & this is one of the LP’s that had plenty heat to work with. This entire record has some monumental gems that I thought were too eazy to flip so I’ve gone with a more complicated Jazz/fusion joint which rides in & out of different tempo’s and intensities. I’m not going to reveal name the track though. That’s for you diggers to figure out.
Have a guess at which producer made which beat and I’ll follow up next week with the results. Cheers to everyone getting us involved and helping us build.
Here’s the results from Round 5. Solid round, I thought people might have had a tough time picking the Must Volkoff and Indiseus but alas, seems like you all got it right apart from the split votes between the Brookes Cullings and Servo beats.
Lets see what we can come up with out them dust bins for Round 6!
Drop a comment and let us know how well you picked it and what made you pick em.
This month I reached out to our DSTT main stay regular Servo for a sample to flip. He hit us off with one of his recent op-shop digs Dudley Moore (British actor/ Jazz Musician) – The World of Dudley Moore. I would have picked this up for that hair alone. That mop perm stay one hunid son!
Servo dropped a gem on us, choosing, ‘A sad one for George’. Slinky Jazz bass, aired out keys and dusted grooves on this joint.
Thanks to all producers and servo for supplying the dig. From the feedback I’ve had I think we all enjoyed making something out of this sample, there was so many options.
Take a listen to the OG and peep the parts used for the beats and take a guess at who you think made what. I’ll follow up this post with the results next week.